Thursday, October 17, 2013

Former CEO concedes mistakes in Nokia's downturn

Jorma Ollila, former chairman and CEO of Finnish mobile phone maker Nokia, speaks during a news conference on his biography published in Helsinki, Finland, Thursday, Oct. 17, 2013. Among the other stages of his life, the biography consists the 14 years he worked with one of the world's biggest manufacturer of mobile phones. (AP Photo/Lehtikuva, Vesa Moilanen) FINLAND OUT, NO SALES







Jorma Ollila, former chairman and CEO of Finnish mobile phone maker Nokia, speaks during a news conference on his biography published in Helsinki, Finland, Thursday, Oct. 17, 2013. Among the other stages of his life, the biography consists the 14 years he worked with one of the world's biggest manufacturer of mobile phones. (AP Photo/Lehtikuva, Vesa Moilanen) FINLAND OUT, NO SALES







Jorma Ollila, right, former chairman and CEO of Finnish mobile phone maker Nokia, speaks during a news conference on his biography published in Helsinki, Finland, Thursday, Oct. 17, 2013. Among the other stages of his life, the biography consists the 14 years he worked with one of the world's biggest manufacturer of mobile phones. (AP Photo/Lehtikuva, Vesa Moilanen) FINLAND OUT, NO SALES







HELSINKI (AP) — Ex-Nokia CEO Jorma Ollila says the former No. 1 mobile phone company made several mistakes at its peak, including failure to predict changing customers' needs.

In his autobiography, which translates from the Finnish as 'An Impossible Success', Ollila concedes that after 2001 the Finnish company was unable to sustain its role as the main innovator in the wireless industry. Several of its models flopped and it failed to sense popular trends such as folding clamshell handsets and touch screen models.

Ollila said Thursday at the book publication that Nokia became "painfully aware" that its cellphone platforms lagged behind U.S. software and the challenges posed by the iPhone.

He also described the planned sale of Nokia's smartphones and services to "arch rival" Microsoft as "dramatic and brave."

Associated PressSource: http://hosted2.ap.org/APDEFAULT/495d344a0d10421e9baa8ee77029cfbd/Article_2013-10-17-Finland-Nokia-Ollila/id-c472c1ad2f7b4a7cabaa6799a19b516c
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'The Voice' Recap: Funk Singers Fight It Out in the Battle Rounds



The battle rounds continued for the second night with each of the coaches -- Christina Aguilera, Cee Lo Green, Adam Levine and Blake Shelton -- pitting two members of their teams against each other and eliminating one. If a player is kicked off a team, the other coaches have the option to "steal" the singer for his or her team.



PHOTOS: 'The Voice' Season Four Finale in Photos


Team Christina's Jacob Poole vs. Matthew Schuler: "My Songs Know What You Did In The Dark"


Both singers push as hard as they can, but the song's quick pace is a tough one. Matthew seems to have more emotion and power with his performance. Aguilera chooses Matthew, sending Jacob home.


Team Cee Lo's Kat Robichaud vs. R. Anthony: "I Don't Wanna Miss a Thing"


Green decides to pit these two against each other because they're so different. They both plan on bringing plenty of emotion to the Aerosmith song. Kat is very charismatic and intense onstage, but R. Anthony has some great runs. It's a tough choice, but Green decides to go with Kat.


STORY: 'Voice' Winner Cassadee Pope Talks Debut Album, Life After Television: 'It's Harder'


The show then quickly runs through some other battles:


Team Cee Lo's Cole Vosbury vs. Lupe Carroll: Toto's "Africa." Cole wins.
Team Blake's E.G. Daily vs. Sam Cerniglia: Bonnie Raitt's "Something to Talk About." E.G. wins.
Team Adam's Ashley DuBose vs. Justin Blake: "Just A Fool." Ashley wins.


Team Blake's Monika Leigh vs. Ray Boudreaux: "Some Kind of Wonderful"


It's the battle of the funk singers to wrap up the show. First, they get a visit from Cher, and Monika pretty much completely freaks out. After working through their issues in rehearsal, they deliver the best performance of the night. Levine says Ray proved himself with that performance. Shelton agrees and decides to keep Ray.


Of course, that's not the end of the story for Monika. Green uses his "steal" to take her for his own team. Seems like a perfect match.


What did you think of Tuesday's battles? Sound off in the comments section below.


E-mail: Rebecca.Ford@thr.com
Twitter: @Beccamford



Source: http://feedproxy.google.com/~r/thr/music/~3/Tjqedm_DTYo/story01.htm
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Report: Amazon's HTC Phone Might Just Be For Prime Members

Report: Amazon's HTC Phone Might Just Be For Prime Members


Rumor has it Amazon is talking to HTC about making its smartphone, and according to a Bloomberg report, that phone might just be for Amazon Prime subscribers.

Read more...

Source: http://gizmodo.com/report-amazons-htc-phone-might-just-be-for-prime-memb-1446594130
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The Greatest Living Figure Of Chasidic Music





Ben Zion Shenker (right) is a world-renowned composer in the Modzitzer tradition of Chasidic Judiaism.



Joel Lowy/Courtesy of the artist


Ben Zion Shenker (right) is a world-renowned composer in the Modzitzer tradition of Chasidic Judiaism.


Joel Lowy/Courtesy of the artist


The role of music in Jewish life was elevated by a Polish rabbi known as the Baal Shem Tov, who is credited with founding the Chasidic movement in the 18th century. He taught that melody is one of the paths to divine service.


"One of the innovations of the Baal Shem Tov was to allow for greater musical expression during the prayers," says Rabbi Meir Fund, who leads his own congregation in Brooklyn. "And music became a very important ladder of ascent."


Over the past 200 years, a sect of Chasidic Jews known as the Modzitzers has become known for beautiful melodies — thousands of them. Modzitz is the name of the town in Poland where the sect eventually settled.


"There's a certain depth and aesthetic beauty in Modzitzer melodies that really defies words, but that sets Modzitz apart as the pinnacle of Jewish Chasidic music," Fund says.


By all accounts, the one living Modzitzer who has made the greatest contribution to music is 88-year-old Ben Zion Shenker. One of the most prolific and respected Modzitzer composers, Shenker lives in Brooklyn, N.Y.




Yiddish Book Center/YouTube

Ben Zion Shenker tells the story of how his first choral teacher persuaded his parents to let him join a choir.




His connection to Modzitz began when he was a teenager. The Modzitzer rebbe, or chief rabbi, moved to Brooklyn as the Holocaust consumed much of Chasidic Jewry in Eastern Europe. On a Sabbath afternoon in 1941, the rebbe noticed Shenker humming Chasidic melodies written out in a book.


"The rebbe turned around and asked me, 'You know how to read notes?' " Shenker says. "I was all of 15 years old, and [he] couldn't believe that a kid of that age could read music. I said, 'A little.' After that, I became what you'd call his musical secretary, actually. Anything he composed, I used to notate. And he used to sing for me things that he had in mind."


Shenker had not only studied music theory; he also sang in a boys' choir and performed on his own radio show on a Yiddish station. A 13-year-old Shenker even made a record in 1938.


Shenker grew up to become an ordained rabbi. He made his living in the garment and jewelry industries while composing Modzitzer melodies — nigunim, as they're known in Hebrew — that are used throughout the Orthodox Jewish world.


Shenker composed a melody for the Psalm of David, also known as the 23rd Psalm. Orthodox Jews sing it during the third meal of the Sabbath on Saturday afternoon — the melody came to Shenker after he finished the third meal one day in 1946. His melody was later recorded by Cantor Yitzhok Meir Helfgott and violinist Itzhak Perlman. Shenker himself recorded the first album of Chasidic music in 1956.





Ben Zion Shenker recorded an album of Modzitzer liturgical melodies in 1956.



Courtesy of the artist


Ben Zion Shenker recorded an album of Modzitzer liturgical melodies in 1956.


Courtesy of the artist


Hankus Netsky is chairman of the Improvisation Department at the New England Conservatory of Music. He says that Shenker realized the gravity of his work.


"He realized that these were like symphonies," Netsky says. "These were like some of the greatest compositions ever written, and that these were emblematic compositions for the Jewish people, and that's really where he wanted to put his efforts. ... He doesn't call attention to himself and yet, as soon as he opens his mouth, everybody turns around and says, 'What is that?' And it's his music that does it."


Though Shenker's music is largely unknown outside the Orthodox world, many Orthodox musicians take inspiration from it.


"In Modzitz, the melodies are so powerful that you can reach really deep meditative states, and it's also a way of purifying yourself," says klezmer and bluegrass virtuoso Andy Statman, who is a neighbor of Shenker's and worships with him in the Modzitzer synagogue. "This music is really set up for that."


Shenker served as the prayer leader in the Modzitzer synagogue in Brooklyn for more than five decades. He has stopped on the advice of his doctor, but he has in no way retired. During the recent holiday of Sukkot, he sang for two hours.


"I compose new material every year," Shenker says. "I made seven new songs this year for the text that we say on Rosh Hashanah and Yom Kippur. When those prayers come up, I'm the one that starts it, and the singing adds so much to the spirit of the prayers. I mean, when you sing it, you really understand it."


Shenker has composed some 500 nigunim, but he's particularly proud of a melody he composed 60 years ago for the proverb "Woman of Valor," which is sung in observant Jewish households as the Sabbath arrives on Friday night. Shenker says that when he walks home from the Modzitzer synagogue, he hears it sung in almost every Jewish home in his neighborhood.


Source: http://feedproxy.google.com/~r/NprProgramsATC/~3/n8F7B5MfZJ4/the-greatest-living-figure-of-chasidic-music
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Wednesday, October 16, 2013

Hadoop 2: Big data's big leap forward



The new Hadoop is nothing less than the Apache Foundation's attempt to create a whole new general framework for the way big data can be stored, mined, and processed.


It ought to not only further stimulate the way apps are written for Hadoop, but also allow for the creation of entirely new data-crunching methodologies within Hadoop that simply weren't possible because of its earlier architectural limitations. In short, good stuff.


So what's been holding Hadoop back all this time? More importantly, where's it going from here?


Various criticisms of Hadoop have revolved around its scaling limitations, but the biggest constraint on scale has been its job handling. All jobs in Hadoop are run as batch processes through a single daemon called JobTracker, which creates a scalability and processing-speed bottleneck.


With Hadoop 2, the JobTracker approach has been scrapped. Instead, Hadoop uses an entirely new job-processing framework built using two daemons: ResourceManager, which governs all jobs in the system, and NodeManager, which runs on each Hadoop node and keeps the ResourceManager informed about what's happening on that node. (Each running application also has its own governor, ApplicationMaster.)


This setup is so unlike the previous MapReduce that Apache gave it an entirely new name: YARN, or Yet Another Resource Negotiator, with the new MapReduce running as one of many possible components for it. In fact, Apache claims that any distributed application can run on YARN, albeit with some porting. To that end, Apache's maintained a list of YARN-compatible applications, such as the social-graph analysis system Apache Giraph (which Facebook uses). More are on the way from other parties, too.


As radical as this approach is, Apache wisely decided not to break backward compatibility, and so MapReduce 2 still has the same APIs as its predecessor. Existing jobs just need a recompile to work properly.


It's also hardly coincidence that YARN makes Hadoop far more cross-compatible with other Apache projects for massaging big data. Use one, and it becomes far easier to use the rest. Such a rising tide for Hadoop would help lift all of Apache's related boats.


The biggest win of all here is how MapReduce itself becomes just one possible way of many to mine data through Hadoop. Apache's own Spark, another candidate for porting to YARN, might be better suited to some kinds of work than MapReduce, so Hadoop 2 gives you more flexibility to choose the engine that's the best fit.


The two big Hadoop vendors out there, Cloudera and Hortonworks, both have their own discussions of how YARN is crucial stuff, even if they approach Hadoop from markedly different directions. Cloudera's Impala offers the ability to run low-latency SQL queries against HDFS-stored data, which makes them best suited to live analytics; Hortonworks has chosen to go with Apache's native Hive technology, which is best for data warehouse operations (like long-running queries with lots of join-type operations).


Porting apps to YARN isn't a trivial effort, though, so the payoff involved in reworking Hadoop this radically will be strongly based on how much gets deployed within the new framework. But the fact that both Cloudera and Hortonworks are solidly behind Hadoop 2 and haven't forked the product -- or stuck with its earlier iterations -- is major evidence Hadoop 2 isn't just smoke or mirrors. Or tangled yarn.


This story, "Hadoop 2: Big data's big leap forward," was originally published at InfoWorld.com. Get the first word on what the important tech news really means with the InfoWorld Tech Watch blog. For the latest developments in business technology news, follow InfoWorld.com on Twitter.


Source: http://www.infoworld.com/t/hadoop/hadoop-2-big-datas-big-leap-forward-228909?source=rss_infoworld_blogs
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Pitt: '12 Years a Slave' is 'why I got into film'

Movies











8 hours ago

Brad Pitt's role in "12 Years a Slave" isn't very big, but it is key — and as the actor tells Ann Curry in an interview set to air Wednesday on TODAY, the film was of enormous importance to him: "It's why I got into film in the first place."

"12 Years" is a true story, based on Solomon Northup's personal account of being a free man in New York in pre-Civil War days who is then kidnapped and sold into slavery. Pitt was a producer on the film, and took a role as a Canadian who is working on the plantation where Northup ends up.

For Pitt, making "12 Years" was the very definition of what movies are for. "It's one of those few films that cuts to the base of our humanity," he said.

But "12 Years" features some disturbing imagery, and as the actor explained, he's not about to show it to his youngest children (he has six with Angelina Jolie). "Maybe my eldest I would, right now," he said. "I'd rather for the others to get a little bit older and understand the dynamics of the world a little more."

That kind of subtle understanding is a wisdom that has come with age, and — fans, brace yourself — Pitt is about to turn 50 in December. 

"I haven't minded a bit," he said about approaching AARP age. "I have no complaints."

Look for the full interview on TODAY on Oct. 16. 








Source: http://www.today.com/entertainment/exclusive-brad-pitt-says-12-years-slave-why-i-got-8C11395682
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Apple's 'spaceship' HQ gets green light from Cupertino

The Cupertino City Council unanimously approves the 2.8-million-square-foot building, and demolition on the property will begin at the end of this year.



Apple's "spaceship" headquarters has, for all intents and purposes, been cleared for construction.


The Cupertino City Council on Tuesday unanimously approved the 2.8-million-square-foot building. Although the Council must meet one more time on November 15 to hold a final vote on the Apple Campus 2 project, that is essentially a formality. Apple now plans to begin demolishing building on the site by the end of this year.


Apple CEO Tim Cook was so happy about the news that he paid a rare visit to his Tweet button. This morning, Cook tweeted: "Our home for innovation and creativity for decades to come. Cupertino City Council Gives Unanimous Approval for Apple's New Campus."


The ringlike "spaceship" design was the apple of Steve Jobs' eye, a place the Apple co-founder hoped would reflect his company's product design ideas. The massive facility will be four stories high and feature curved glass. Apple expects the facility to be able to accommodate over 14,000 employees, more than five times the number Apple's current headquarters can fit.



Source: http://news.cnet.com/8301-13579_3-57607733-37/apples-spaceship-hq-gets-green-light-from-cupertino/?part=rss&tag=feed&subj=News-Apple
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